SELECTED TEXTS




WRITING/PUBLICATIONS

Soft Impressions, Helen Cammock, Ingrid Pollard & Camara Taylor, publication,
Dundee Contemporary Arts, 2025

mind how you go, text by Camara Taylor
Visual Identities in Art & Design Research Centre,
University of Johannesburg, June 2022

On the cold, text by Camara Taylor,
MAP Magazine, April 2021

Reflections, text by Camara Taylor,
Crypto-Knitting-Circles Zine
SWAP Market, Dec 2019

For Father False, text by Camara Taylor
The Babaloose Book, Ed. Lewis Prosser, 2015

PRESS  &

Pressing Matters, Review by Oluwatobiloba Ajayi
The Toe Rag, Issue 05, Spring 2025

Art Reviews| Soft Impressions, Review by Susan Mansfield
The Scotsman, Jan 2025

Glasgow International,  Review by Daisy Hildyard,
e-flux, June 2024

Glasgow International: Still Caring, Review by Rose Higham-Stainton,
Flash Art, June 2024

The Glasgow International artists tackling Scotland’s colonial past, By Harvey Dimond,
The Skinny, July 2024

A History of Black Diaspora Artists in Scotland,
Chapter by Catherine Spencer. 
The Routledge Companion to African Diaspora Art History, Ed. Eddie Chambers 

CAMARA TAYLOR, COLLECTIVE,  Review by Maria Howard,
Nothing Personal Issue III, Nov 2022

No Real Closure: Curating Black Flutures Now, 
Essay By Languid Hands (Rabz Lansiquot & Imani Mason Jordan)
Reshaping the Field: Arts of the African Diasporas on Display. Exhibition Histories 13., Ed, by Nana Adusei-Poku. London: Afterall. 2022

Spit Spat, Response by Seán Elder,
Collective Gallery, Aug 2022

LETTER TO THE SHOW  and LETTER TO RAY, Responses by Samra Mayanja,
Cubitt Gallery, July 2021

review of a rant! a reel!,  By Zarina Muhammad
The White Pube, Aug 2021

A SERIES OF ESCAPES OF AIR, Response by Saoirse Amira Anise
The Newbridge Project, Nov 2021

The Conch #21 w/ OLAMIJU FAJEMISIN, SAMRA MAYANJA & CAMARA TAYLOR, Essay by Olamiju Fajemisin,
The South London Gallery, Mar 2021

Exploring EAF’s Associate Artist Programme,  By Adam Benmakhlouf,
The Skinny, Aug 2021

Camara Taylor on their new exhibition Flourish, Interview by Adam Benmahklouf, The Skinny