SELECTED TEXTS
WRITING/PUBLICATIONS
Soft Impressions, Helen Cammock, Ingrid Pollard & Camara Taylor, publication,
Dundee Contemporary Arts, 2025
mind how you go, text by Camara Taylor
Visual Identities in Art & Design Research Centre,
University of Johannesburg, June 2022
On the cold, text by Camara Taylor,
MAP Magazine, April 2021
Reflections, text by Camara Taylor,
Crypto-Knitting-Circles Zine
SWAP Market, Dec 2019
For Father False, text by Camara Taylor
The Babaloose Book, Ed. Lewis Prosser, 2015
Soft Impressions, Helen Cammock, Ingrid Pollard & Camara Taylor, publication,
Dundee Contemporary Arts, 2025
mind how you go, text by Camara Taylor
Visual Identities in Art & Design Research Centre,
University of Johannesburg, June 2022
On the cold, text by Camara Taylor,
MAP Magazine, April 2021
Reflections, text by Camara Taylor,
Crypto-Knitting-Circles Zine
SWAP Market, Dec 2019
For Father False, text by Camara Taylor
The Babaloose Book, Ed. Lewis Prosser, 2015
PRESS &
Pressing Matters, Review by Oluwatobiloba Ajayi
The Toe Rag, Issue 05, Spring 2025
Art Reviews| Soft Impressions, Review by Susan Mansfield
The Scotsman, Jan 2025
Glasgow International, Review by Daisy Hildyard,
e-flux, June 2024
Glasgow International: Still Caring, Review by Rose Higham-Stainton,
Flash Art, June 2024
The Glasgow International artists tackling Scotland’s colonial past, By Harvey Dimond,
The Skinny, July 2024
A History of Black Diaspora Artists in Scotland,
Chapter by Catherine Spencer.
The Routledge Companion to African Diaspora Art History, Ed. Eddie Chambers
CAMARA TAYLOR, COLLECTIVE, Review by Maria Howard,
Nothing Personal Issue III, Nov 2022
No Real Closure: Curating Black Flutures Now,
Essay By Languid Hands (Rabz Lansiquot & Imani Mason Jordan)
Reshaping the Field: Arts of the African Diasporas on Display. Exhibition Histories 13., Ed, by Nana Adusei-Poku. London: Afterall. 2022
Spit Spat, Response by Seán Elder,
Collective Gallery, Aug 2022
LETTER TO THE SHOW and LETTER TO RAY, Responses by Samra Mayanja,
Cubitt Gallery, July 2021
review of a rant! a reel!, By Zarina Muhammad
The White Pube, Aug 2021
A SERIES OF ESCAPES OF AIR, Response by Saoirse Amira Anise
The Newbridge Project, Nov 2021
The Conch #21 w/ OLAMIJU FAJEMISIN, SAMRA MAYANJA & CAMARA TAYLOR, Essay by Olamiju Fajemisin,
The South London Gallery, Mar 2021
Exploring EAF’s Associate Artist Programme, By Adam Benmakhlouf,
The Skinny, Aug 2021
Camara Taylor on their new exhibition Flourish, Interview by Adam Benmahklouf, The Skinny
Pressing Matters, Review by Oluwatobiloba Ajayi
The Toe Rag, Issue 05, Spring 2025
Art Reviews| Soft Impressions, Review by Susan Mansfield
The Scotsman, Jan 2025
Glasgow International, Review by Daisy Hildyard,
e-flux, June 2024
Glasgow International: Still Caring, Review by Rose Higham-Stainton,
Flash Art, June 2024
The Glasgow International artists tackling Scotland’s colonial past, By Harvey Dimond,
The Skinny, July 2024
A History of Black Diaspora Artists in Scotland,
Chapter by Catherine Spencer.
The Routledge Companion to African Diaspora Art History, Ed. Eddie Chambers
CAMARA TAYLOR, COLLECTIVE, Review by Maria Howard,
Nothing Personal Issue III, Nov 2022
No Real Closure: Curating Black Flutures Now,
Essay By Languid Hands (Rabz Lansiquot & Imani Mason Jordan)
Reshaping the Field: Arts of the African Diasporas on Display. Exhibition Histories 13., Ed, by Nana Adusei-Poku. London: Afterall. 2022
Spit Spat, Response by Seán Elder,
Collective Gallery, Aug 2022
LETTER TO THE SHOW and LETTER TO RAY, Responses by Samra Mayanja,
Cubitt Gallery, July 2021
review of a rant! a reel!, By Zarina Muhammad
The White Pube, Aug 2021
A SERIES OF ESCAPES OF AIR, Response by Saoirse Amira Anise
The Newbridge Project, Nov 2021
The Conch #21 w/ OLAMIJU FAJEMISIN, SAMRA MAYANJA & CAMARA TAYLOR, Essay by Olamiju Fajemisin,
The South London Gallery, Mar 2021
Exploring EAF’s Associate Artist Programme, By Adam Benmakhlouf,
The Skinny, Aug 2021
Camara Taylor on their new exhibition Flourish, Interview by Adam Benmahklouf, The Skinny