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		<lastmod>2025-09-29T20:50:44+00:00</lastmod>
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	<url> 
		<loc>https://camarataylor.com/video</loc> 
		<lastmod>2025-09-30T16:56:23+00:00</lastmod>
		<changefreq>always</changefreq>
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			<image:caption>A video still. Light yellow text sits in the centre against a digital grey background. It reads, “Mmmm…”</image:caption>
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			<image:caption>A video still of a fallen tree in woodland. The prostate tree is centre frame; its upturned base is a semicircle of root, moss and shadow from which its wide trunk dappled in sunlight extends towards the viewer. In the background, the sun shines through thinning woodland. The captions are positioned in the centre of the frame, three lines of text in pale yellow, purple and green respectively that read, “I feel strange— / (voices clash) / Our desires.”</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/66b884cfb8cdb5d93b71a6c83573ed928a1f392dfd40ee41024ab97d0e9121db/Screenshot-2021-11-28-at-13.04.11.png</image:loc>
			<image:caption>A video still. Pixelated greys distort a landscape. In the center of the frame is a caption, white text in a black box which reads, “(compressed digital noise)”. At the bottom of the screen is, “IMG_5917(3).MOV”</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/7f6e997d3a982549cb1ebe4d9e578c7bb4c5ec40c096aa62ed0bfd4b607d3574/FBGj6saVUBAzKJh.jpeg</image:loc>
			<image:caption>A video still. Pixelated greys distort a landscape. To the left, emerging from the grey are green and purple hued tree trunks, grass and dirt.</image:caption>
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		<loc>https://camarataylor.com/describedworks</loc> 
		<lastmod>2025-10-01T21:54:44+00:00</lastmod>
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			<image:caption>Close up of the trough at the bottom of the steel sheet, with the pipe and hose also in view. Over time the rum has become a light muddy orange-brown as it mixes with rust created over the course of its running across the steel.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f253f0cc8b619e2da034dbffaec4b8797d46b01f6d5477e00e26131f2037d683/000045.jpg</image:loc>
			<image:caption>Close up of the steel sheet.The recirculating rum has created thick streaks of reddish-brown rust and thick sugary deposits on the steel’s surface.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/320e18d98c3a5b65fd55a771af68f72aeb66e34fb1c40e32a09c673b359b108e/000043.jpg</image:loc>
			<image:caption>A glass tank (40cm by 35cm by 80cm) on a dark concrete floor with curving tram tracks. Muddy orange-brown liquid fills the bottom third and moves through the pipes and hose connected to the tank. Layers of rusty sediment stain the tank's sides.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/d8f5ff9ca1c228eb107b2a8b56517235652a27fd7a62a9ed3df8caaf6f97d773/000044-1.jpg</image:loc>
			<image:caption>An aerial view of the pipe feeding rum into the glass tank. The rum has become a light muddy orange-brown as it mixes with rust created over the course of its running across the steel.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cab72d836a4c7b07ae6ed78e911639c0deaab7b8a3230c30387210e7d927d9ce/2024_GI_CTaylor_TramwayT5_017_web.jpg</image:loc>
			<image:caption>A close-up of rum cascading down the metal sheet taken from a slight angle. The rum falls in evenly spaced streams, only the central streams are in focus. The sugary alcohol falls in patterns that resemble thick sticky tides that cling to the steel's surface.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/8979179eb1abb42a77508ec5f747208f528f1bd7eef1633a02797918c5cc7744/2024_GI_CTaylor_TramwayT5_018_web.jpg</image:loc>
			<image:caption>A glass tank (40cm by 35cm by 80cm) on a dark concrete floor with curving tram tracks. Molasses brown rum that looks almost black fills the bottom third. Light foam ripples across the rum’s surface as a pipe feeds more into the tank. A bright red water pump is partially submerged and connected to a hose that pushes the brown liquid back out. In areas the glass is foggy with condensation.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/8e098339f37c2b75abf3c90d96722105cd2bfbc71f894661ba20d5d836050e5b/2024_GI_CTaylor_TramwayT5_024_web.jpg</image:loc>
			<image:caption>Two steel lecterns cut diagonally across the gallery. Each one has a rectangular base, a pair of legs and a slanted book stand on the top with a shelf edge. In the foreground, a lectern is small and overturned, resting against the concrete floor with several documents placed on its stand. In the background, the lectern is a traditional height but has legs that bend inwards, like knees knocking together. Fixed high in the corner of the white gallery is a small speaker.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/49a72c6de39889cdeab36cbaac3b8a09ca888906a3bd8036b12a0c8276d2757b/000061.jpg</image:loc>
			<image:caption>Close up of a steel lectern. A tubular leg pierces the surface of the book stand. Nestled around the inside of the leg is a piece of paper printed with multiple lines of the same phrase. From this angle, the visible words are ‘swarms of false’.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f28bd508f56cd1f219dacbe4319bfb32e378942f89fa816deab908b720ff8ce6/000062-1.jpg</image:loc>
			<image:caption>Close-up showing the top of a steel lectern. It has two tubular legs and a slanted book stand. The lectern is a dark dull grey, except the left leg which is a shiny silver. The left leg pierces through the stand. A thin ring of rust sits on the surface circling the tubular protrusion. Nestled around the inside of this leg is a piece of paper printed with multiple lines of the same phrase. From this angle, the words ‘witnesses against’ repeat.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4ba53ee9c4d9806fb11adeea7d5956d30d22ab3246f199d864cc9a511668e131/000058-1.jpg</image:loc>
			<image:caption>A steel lectern that is too small, as if it’s been compressed. It’s overturned lying on the concrete floor. You’d need to crouch or lie down to read from it. The lectern holds two white paper documents and 2 photographs. Printed text is sparsely dispersed across the papers. A black and white 5inch by 7inch photo sits in front of the papers. A silhouetted hand stretching out beneath clouds. A very small postcard is stuck directly to the steel lectern with a torn post-it. suited men swear with their fingers spread into a V sign.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/0c507a4d004909f3d1e624fc1f2cd368c8baa08dec359c8acc96697de68d38bd/000064.jpg</image:loc>
			<image:caption>A steel lectern with two tubular legs that bend inwards like knees knocking together, before flaring outward again connecting to the slanted book stand. The lectern is a dark grey steel except where the legs have been bent. This section is a shiny silver where the steel was sanded after cutting, bending and welding.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3aa76e87637202bff317fd9c85db6bff67facf373253c843a19e116169f036b1/P1020883-1.jpg</image:loc>
			<image:caption>Close up of Melo’s Fists. The brown streaky glass casts shimmering tones and speckled shadows across clenched fists.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/7704cd32b527e14c1955d5bfcf9d69fae0e53edfc7783d59d819ccc050396a6d/2024_GI_CTaylor_TramwayT5_001_web.jpg</image:loc>
			<image:caption>Installation view of Paul’s Hand. A colour photograph framed in a thin blackened oak frame behind clear and brown streaky glass. The browns appear as inky wisps, creating patterns that resemble curls of smoke. The frame is 81cm by 55cm in total but the image itself only takes up a fraction of this space and is set close to the centre left edge. It’s an extreme closeup of Paul Robeson's face captured in stark black and white. His face is covered by his hand, palm facing us in a gesture of refusal that leaves only his ears and forehead exposed.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/57182f666f1ee828b5d019885ce0f12400f0ba2f6d338ad0effd256f1f7e379e/Collective-Gallery---Camara-Taylor---Screen-Res---8.jpg</image:loc>
			<image:caption>A large black and white photograph in a blackened oak frame is hung on a white gallery wall. The photograph is of a print that has been covered in dark mould creating an abstract and blotchy constellation.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/704cba582ee8b2fabbb8fc64224b89e9796c301e6c35b614fcbe311fa477e804/Collective-Gallery---Camara-Taylor---Screen-Res---5.jpg</image:loc>
			<image:caption>A large framed photograph on a light grey gallery floor. The photograph is of gentle waves in the Caribbean sea. The frame is oak painted dark blue to match the sea. There is no glass and instead the frame is filled with clear white rum. The submerged photograph seems partially pixelated or glitchy and has a metallic sheen. Dark blues are interrupted by glints of bright white, as the sea reflects the sunlight.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/bf3c41dc8eac2125b33a2e1630d0252a4c0382718d366eba6d343a1deca42044/Collective-Gallery---Camara-Taylor---Screen-Res---19.jpg</image:loc>
			<image:caption>The same work photographed after 3 weeks. A large framed photograph on a light grey gallery floor. The frame is oak painted a dark blue. There is no glass and instead the frame is filled with clear white rum. Over time the submerged photograph as transformed. Rum has eaten through and lifted the ink, revealing white paper. Some hues of black and grey remain fixed to the paper, whilst murky red ink swirls above and pools in corners.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/72de764fbc6d0f5ccacd00eaf873185f36f629e07c7eeb92154e0f449a9657e1/whisper-66-low-res.jpeg</image:loc>
			<image:caption>witness, a large digital collage in a light box hangs on a midnight blue gallery wall. The work is in the far left corner of the wall where it meets a narrow white partition wall. Beyond the partition is a wall of wooden shelving full of books. Spotlit above the shelving, large vinyl text reads “ARCHIVE”.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/45150f5e3b6dd613b8e992a4fe3dbe412536fa741361ebc5386e4dde2c94f860/whisper-33-final.jpg</image:loc>
			<image:caption>Corner view of a gallery foyer. The right wall is white with a large opening that leads to a gallery exhibition. The left wall is a midnight blue and has a large picture window. Left of this window is witness, a large light box. It illuminates a digital collage. Bright pink text overlays Robert Duncanson’s 1871 oil painting, ‘A Scottish Landscape’. The painting uses warm colours to depict a ‘romantic wilderness’ with a river, rich vegetation and mountains in the distance. The pink text reads: “ there is not single witness has ever said that I said anything”.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/7053b9c0200dabc75dc8ddf9f9c71efad4e340fc117a53574a91c31320e6a8d9/LanguidAug2021-8c.png</image:loc>
			<image:caption>A polished brass zippo lighter affixed to white card. Engraved cursive writing reads: ‘Noodles who rave for abolition'</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/59420c8ef6eedc23d02ac249d7e45d233cc6550e6b8ba6bd5137f54745cc2d36/000050.jpg</image:loc>
			<image:caption>A white walled gallery with floor to ceiling windows that look onto a car lined street. Standing on the concrete in front of the window is an absurdly tall steel lectern rising to over 1.5 meters. The lectern is dark grey with a slanted book stand which is held up by two tubular legs that descend in parallel lines to a rectangular base. The lectern is facing the window so we can’t see what it holds.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c791c844ea5af43e837263716c8665683f1646e37cc4f3faaa2c1f4f084f3969/000052-1.jpg</image:loc>
			<image:caption>Close up of a tall steel lectern. Two A4 documents arranged side by side on a slanted steel stand. On the left, a black and white scan of a photograph. Three black children are standing in the middle of the street lined with tenements and rubble. Inky smudges distort parts of the image. On the right, printed text attempts to describe the photograph. The page has handwritten annotations and redactions in thick black felt tip.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/17e935e77ba3bfe2604096546c573573115cb82f770c001de5f25a7f05a9d0a2/2024_GI_CTaylor_TramwayT5_002_web.jpg</image:loc>
			<image:caption>Installation view of Melo’s Fists. A photograph framed in a thin oak frame behind clear and brown streaky glass hung. The photograph is a screenshot from a documentary, rephotographed on 35mm film. A black man is outside at night wearing a thick grey winter jacket and a stripey purple scarf. His face is partially obscured, only viewed from below his mouth and nose. The focus is his fists, clenched and raised in front of his chest, his body angled in a defensive stance.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/46f67e1013a6b25a11a6c3e0b902dae537c0711f268c99ecccc4a93d80042ea4/2024_GI_CTaylor_TramwayT5_013_web.jpg</image:loc>
			<image:caption>A close up of the tank through its fogged glass. Rum pours in creating whitish-yellow froth that ripples across the dark almost black liquid.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/bd7de3ebfe67e90741fab52eb240c9337edd6884f6830aead7e1c41b98a976b6/Untitled-Pauls-Hand-and-Untitled-Melos-Fists-1.jpg</image:loc>
			<image:caption>Two framed photographs, Paul’s Hand and Melo’s Fists are hung on a white gallery wall. Paul’s Hand is to the right and hung high, Melo’s Fists are to the left and hung low. Both frames are 81cm by 55cm.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/d08efbd6c85723b03629d39454f3ef6612d03f375c8cccfd43f19056e179eec0/Untitled-familiar-document-and-Flight-2-cropped-web.jpg</image:loc>
			<image:caption>Gallery view, a corner in Soft Impressions at DCA Dundee. On the left, Flight, a framed colour photograph hangs on a white gallery wall. On the right, square, frosted window panes stretch from the floor-to-ceiling softly diffusing the light.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/5c1639cc0727a96ed089d4822cf1fa25ac644ac0cbfed9e268a94496139e0626/Flight-cropped-web.jpg</image:loc>
			<image:caption>A colour photograph in a walnut frame hung against a white gallery wall. In the photograph someone hovers, or dangles in front of a staircase. Only their lower legs and four steps are visible. They are wearing red, plaid pajamas that cast a shadow against the beige-brown carpeted steps. Their feet are bare and hang loosely, their brown toes casting a crisp black shadow against the stairs.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/6b25d51ffbe44840dae49d2068c4b88b401e66a9b6fcf900ce5e4d2dde0e2312/8f424b5a-5744-472b-84d7-d07a12ee021b.jpg</image:loc>
			<image:caption>Sunlight casts a soft rectangular shadow on a white gallery wall. Hanging on the wall is a photographic diptych. On the right a black and white photograph of two people standing side-by-side. The image is tightly cropped,from their shoulders to their hips. They both grip the same object,one arm close to the other’s but never touching. On the left is the same image flipped so that they mirror each other. Each print is covered by a sheet of multi-coloured glass. Opaque brown streaks across translucent iridescence, obscuring parts of the images.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/5833a2b262f3fc3eebb0b3f10974dfc9e894614f2ccb46ed556be0a498a02000/cd78017e-323b-429b-951c-885c86dc3156.jpg</image:loc>
			<image:caption>Close up of axe laid root. Iridescent glass with rich brown streaks shimmers on top of a blurred image of two arms almost touching.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/5fd2bf1812f050c3107e184191314232efe4169fb0271f8ff1cb4d1fd16a1bf6/240612_SI_DCA_25-1.jpg</image:loc>
			<image:caption>Close up of axe laid root. Handwritten scrawls in white ink are visible on the back of the brown and iridescent glass. The text is reversed and so illegible.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/23b97a5ff925aac830a6bda797d4d303ba8d5c05a029e169128116b5140126fe/2024_GI_CTaylor_TramwayT5_010_web-4.jpg</image:loc>
			<image:caption>Mounted to a white gallery wall is a 2 by 2 meter steel sheet with a shallow trough at its bottom. Dark rum cascades down the dark grey steel and flows down a clear pipe which connects to a glass tank on the gallery’s concrete floor. In the tank, a red pump pushes the rum out through a tube that runs along the right side of the metal sheet and skirts its top edge where the rum is released to begin the cycle again.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e58bd2aa7ff36eae3722fc6905e501c6521f622f568e2956efc31764fa481ee0/IMG_9450-1.jpg</image:loc>
			<image:caption>Close crop of scanned black and white photograph. Three black children stand in the middle of the street, behind them are large piles of rubble. Left child is standing stiffly and can only be seen from the mouth down. Middle child is the smallest and is holding a large satchel. Right child stands casually with a slight lean. Veiny metallic blotches distort parts of the photo, it appears as if the ink is eroding where the children stand</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/a104c8904fa8a4f805ce3e9b6f2d269d3120c28633cd884e027adfe4ab8df7ff/Screenshot-2021-11-28-at-13.23.52.png</image:loc>
			<image:caption>A video still of a fallen tree in a woodland clearing. The tree’s root flare is shadowed, an uneven semicircle of root and moss. Its wide trunk is dappled in sunlight and extends towards the camera.  In the background, sunlight shines through thinning woodland. On-screen text is positioned in the centre of the frame, three lines of text in pale yellow, purple and green read: “I feel strange—”;  “(voices clash)” and “Our desires.”</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/7f6e997d3a982549cb1ebe4d9e578c7bb4c5ec40c096aa62ed0bfd4b607d3574/FBGj6saVUBAzKJh.jpeg</image:loc>
			<image:caption>A video still. Pixelated greys obscure and distort an image of a woodland clearing. On the left, emerging from the grey are tree trunks,soil, and moss-like patches of bright green and purple.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/e440149730efdc171b9dab11e25a05b3ee6aaace86d4c91fa5f54d97a0b3a014/Screenshot-2021-11-28-at-13.09.12.png</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/6c56ea1b7b0648d885ddda20f07e2077c2c43cf88cd3d4c557d2c72b37a10f01/Screenshot-2021-11-28-at-13.04.56.png</image:loc>
		</image:image>
	</url>
	<url> 
		<loc>https://camarataylor.com/works</loc> 
		<lastmod>2025-09-30T16:54:56+00:00</lastmod>
		<changefreq>always</changefreq>
		<priority>0.5</priority>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/912c38db61b8197fa37fdb500e69ffa62c561e3c142a95d01e5a280e219cc3cf/000057-1.jpg</image:loc>
			<image:caption>Close up of the trough at the bottom of the metal, with the pipe and hose also in view. Over time the rum has become a light muddy orange-brown as it mixes with rust created over the course of its running across the steel.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f253f0cc8b619e2da034dbffaec4b8797d46b01f6d5477e00e26131f2037d683/000045.jpg</image:loc>
			<image:caption>Close up of the steel sheet.The recirculating rum has created thick streaks of reddish-brown rust and thick sugary deposits on the steel’s surface</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/320e18d98c3a5b65fd55a771af68f72aeb66e34fb1c40e32a09c673b359b108e/000043.jpg</image:loc>
			<image:caption>A glass tank (40cm by 35cm by 80cm) on a dark concrete floor with curving tram tracks. Muddy orange-brown liquid fills the bottom third and moves through the pipes and hose connected to the tank. Layers of rusty sediment stain the tank's sides.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/d8f5ff9ca1c228eb107b2a8b56517235652a27fd7a62a9ed3df8caaf6f97d773/000044-1.jpg</image:loc>
			<image:caption>An aerial view of the pipe feeding rum into the glass tank. The rum has become a light muddy orange-brown as it mixes with rust created over the course of its running across the steel.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/cab72d836a4c7b07ae6ed78e911639c0deaab7b8a3230c30387210e7d927d9ce/2024_GI_CTaylor_TramwayT5_017_web.jpg</image:loc>
			<image:caption>A close-up of rum cascading down the metal sheet taken from a slight angle. The rum falls in evenly spaced streams, only the central streams are in focus. The sugary alcohol falls in patterns that resemble thick sticky tides that cling to the steel's surface.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/8979179eb1abb42a77508ec5f747208f528f1bd7eef1633a02797918c5cc7744/2024_GI_CTaylor_TramwayT5_018_web.jpg</image:loc>
			<image:caption>A glass tank (40cm by 35cm by 80cm) on a dark concrete floor with curving tram tracks. Molasses brown rum that looks almost black fills the bottom third. Light foam ripples across the rum’s surface as a pipe feeds more into the tank. A bright red water pump is partially submerged and connected to a hose that pushes the brown liquid back out. In areas the glass is foggy with condensation.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/8e098339f37c2b75abf3c90d96722105cd2bfbc71f894661ba20d5d836050e5b/2024_GI_CTaylor_TramwayT5_024_web.jpg</image:loc>
			<image:caption>Two steel lecterns cut diagonally across the gallery. Each one has a rectangular base, a pair of legs and a slanted book stand on the top with a shelf edge. In the foreground, a lectern is small and overturned, resting against the concrete floor with several documents placed on its stand. In the background, the lectern is a traditional height but has legs that bend inwards, like knees knocking together. Fixed high in the corner of the white gallery is a small speaker.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/49a72c6de39889cdeab36cbaac3b8a09ca888906a3bd8036b12a0c8276d2757b/000061.jpg</image:loc>
			<image:caption>Close up of a steel lectern. A tubular leg pierces the surface of the book stand. Nestled around the inside of the leg is a piece of paper printed with multiple lines of the same phrase. From this angle, the visible words are ‘swarms of false’.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/f28bd508f56cd1f219dacbe4319bfb32e378942f89fa816deab908b720ff8ce6/000062-1.jpg</image:loc>
			<image:caption>Close-up showing the top of a steel lectern. It has two tubular legs and a slanted book stand. The lectern is a dark dull grey, except the left leg which is a shiny silver. The left leg pierces through the stand. A thin ring of rust sits on the surface circling the tubular protrusion. Nestled around the inside of this leg is a piece of paper printed with multiple lines of the same phrase. From this angle, the words ‘witnesses against’ repeat.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/4ba53ee9c4d9806fb11adeea7d5956d30d22ab3246f199d864cc9a511668e131/000058-1.jpg</image:loc>
			<image:caption>A steel lectern that is too small, as if it’s been compressed. It’s overturned lying on the concrete floor. You’d need to crouch or lie down to read from it. The lectern holds two white paper documents and 2 photographs. Printed text is sparsely dispersed across the papers. A black and white 5inch by 7inch photo sits in front of the papers. A silhouetted hand stretching out beneath clouds. A very small postcard is stuck directly to the steel lectern with a torn post-it. suited men swear with their fingers spread into a V sign.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/0c507a4d004909f3d1e624fc1f2cd368c8baa08dec359c8acc96697de68d38bd/000064.jpg</image:loc>
			<image:caption>A steel lectern with two tubular legs that bend inwards like knees knocking together, before flaring outward again connecting to the slanted book stand. The lectern is a dark grey steel except where the legs have been bent. This section is a shiny silver where the steel was sanded after cutting, bending and welding.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/3aa76e87637202bff317fd9c85db6bff67facf373253c843a19e116169f036b1/P1020883-1.jpg</image:loc>
			<image:caption>Close up of ‘Melo’s Fists’. The brown streaky glass casts shimmering tones and speckled shadows across clenched fists.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/7704cd32b527e14c1955d5bfcf9d69fae0e53edfc7783d59d819ccc050396a6d/2024_GI_CTaylor_TramwayT5_001_web.jpg</image:loc>
			<image:caption>Installation view of ‘Paul’s Hand’. A colour photograph framed in a thin blackened oak frame behind clear and brown streaky glass. The browns appear as inky wisps, creating patterns that resemble curls of smoke. The frame is 81cm by 55cm in total but the image itself only takes up a fraction of this space and is set close to the centre left edge. It’s an extreme closeup of Paul Robeson's face captured in stark black and white. His face is covered by his hand, palm facing us in a gesture of refusal that leaves only his ears and forehead exposed.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/57182f666f1ee828b5d019885ce0f12400f0ba2f6d338ad0effd256f1f7e379e/Collective-Gallery---Camara-Taylor---Screen-Res---8.jpg</image:loc>
			<image:caption>A large black and white photograph in a blackened oak frame is hung on a white gallery wall. The photograph is of a print that has been covered in dark mould creating an abstract and blotchy constellation.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/704cba582ee8b2fabbb8fc64224b89e9796c301e6c35b614fcbe311fa477e804/Collective-Gallery---Camara-Taylor---Screen-Res---5.jpg</image:loc>
			<image:caption>A large framed photograph on a light grey gallery floor. The photograph is of gentle waves in the Caribbean sea. The frame is oak painted dark blue to match the sea. There is no glass and instead the frame is filled with clear white rum. The submerged photograph seems partially pixelated or glitchy and has a metallic sheen. Dark blues are interrupted by glints of bright white, as the sea reflects the sunlight.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/bf3c41dc8eac2125b33a2e1630d0252a4c0382718d366eba6d343a1deca42044/Collective-Gallery---Camara-Taylor---Screen-Res---19.jpg</image:loc>
			<image:caption>The same work was photographed after 3 weeks. Over time the submerged photograph as transformed. Rum has eaten through and lifted the ink, revealing white paper. Some hues of black and grey remain fixed to the paper, whilst murky red ink swirls above and pools in corners.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/72de764fbc6d0f5ccacd00eaf873185f36f629e07c7eeb92154e0f449a9657e1/whisper-66-low-res.jpeg</image:loc>
			<image:caption>witness, a large digital collage in a light box hangs on a midnight blue gallery wall. The work is in the far left corner of the wall where it meets a narrow white partition wall. Beyond the partition is a wall of wooden shelving full of books. Spotlit above the shelving, large vinyl text reads “ARCHIVE”.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/45150f5e3b6dd613b8e992a4fe3dbe412536fa741361ebc5386e4dde2c94f860/whisper-33-final.jpg</image:loc>
			<image:caption>Corner view of a gallery foyer. The right wall is white with a large opening that leads to a gallery exhibition. The left wall is a midnight blue and has a large picture window. Left of this window is witness, a large light box. It illuminates a digital collage. Bright pink text overlays Robert Duncanson’s 1871 oil painting, ‘A Scottish Landscape’. The painting uses warm colours to depict a ‘romantic wilderness’ with a river, rich vegetation and mountains in the distance. The pink text reads: “ there is not single witness has ever said that I said anything”.</image:caption>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/712b28516e7b5d49529acdf0e8dd00468d5b999733ef532f18105582c33a71cb/LanguidAug2021-9.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/c4be9eaff72ee03cd9eb8d2b77f417f5f3dc0f5b906557e950acc12d092dc8dc/LanguidAug2021-21.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://freight.cargo.site/t/original/i/7053b9c0200dabc75dc8ddf9f9c71efad4e340fc117a53574a91c31320e6a8d9/LanguidAug2021-8c.png</image:loc>
			<image:caption>A polished brass zippo lighter affixed to white card. Engraved cursive writing reads: ‘Noodles who rave for abolition’</image:caption>
		</image:image>
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			<image:caption>A white walled gallery with floor to ceiling windows that look onto a car lined street. Standing on the concrete in front of the window is an absurdly tall steel lectern rising to over 1.5 meters. The lectern is dark grey with a slanted book stand which is held up by two tubular legs that descend in parallel lines to a rectangular base. The lectern is facing the window so we can’t see what it holds.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/c791c844ea5af43e837263716c8665683f1646e37cc4f3faaa2c1f4f084f3969/000052-1.jpg</image:loc>
			<image:caption>Close up of a tall steel lectern. Two A4 documents arranged side by side on a slanted steel stand. On the left, a black and white scan of a photograph. Three black children are standing in the middle of the street lined with tenements and rubble. Inky smudges distort parts of the image. On the right, printed text attempts to describe the photograph. The page has handwritten annotations and redactions in thick black felt tip.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/d420ee13283c90553dbcdb32d1f45db749e2dc720021ae803babbfcacab2acb2/Untitled-familiar-document-2.jpg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/e0e0a4b4713d97afea308c1713163baff20463d323695c29fa15d4ac2c340a86/Untitled-familiar-document-3.jpg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/17e935e77ba3bfe2604096546c573573115cb82f770c001de5f25a7f05a9d0a2/2024_GI_CTaylor_TramwayT5_002_web.jpg</image:loc>
			<image:caption>Installation view of ‘Melo’s Fists’. A photograph framed in a thin oak frame behind clear and brown streaky glass hung. The photograph is a screenshot from a documentary, rephotographed on 35mm film. A black man is outside at night wearing a thick grey winter jacket and a stripey purple scarf. His face is partially obscured, only viewed from below his mouth and nose. The focus is his fists, clenched and raised in front of his chest, his body angled in a defensive stance.</image:caption>
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			<image:caption>A close up of the tank through its fogged glass. Rum pours in creating whitish-yellow froth that ripples across the dark liquid.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/bd7de3ebfe67e90741fab52eb240c9337edd6884f6830aead7e1c41b98a976b6/Untitled-Pauls-Hand-and-Untitled-Melos-Fists-1.jpg</image:loc>
			<image:caption>Two framed photographs, ‘Paul’s Hand’ and ‘Melo’s Fists’ are hung on a white gallery wall. Paul’s Hand is to the right and hung high, Melo’s Fists are to the left and hung low. Both frames are 81cm by 55cm.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/d08efbd6c85723b03629d39454f3ef6612d03f375c8cccfd43f19056e179eec0/Untitled-familiar-document-and-Flight-2-cropped-web.jpg</image:loc>
			<image:caption>Gallery view, a corner in Soft Impressions at DCA Dundee. On the left, Flight, a framed colour photograph hangs on a white gallery wall. On the right, square, frosted window panes stretch from the floor-to-ceiling softly diffusing the light.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/5c1639cc0727a96ed089d4822cf1fa25ac644ac0cbfed9e268a94496139e0626/Flight-cropped-web.jpg</image:loc>
			<image:caption>A colour photograph in a walnut frame hung against a white gallery wall. In the photograph someone hovers, or dangles in front of a staircase. Only their lower legs and four steps are visible. They are wearing red, plaid pajamas that cast a shadow against the beige-brown carpeted steps. Their feet are bare and hang loosely, their brown toes casting a crisp black shadow against the stairs.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/6b25d51ffbe44840dae49d2068c4b88b401e66a9b6fcf900ce5e4d2dde0e2312/8f424b5a-5744-472b-84d7-d07a12ee021b.jpg</image:loc>
			<image:caption>Sunlight casts a soft rectangular shadow on a white gallery wall. Hanging on the wall is a photographic diptych, ‘axe laid root’. On the right a black and white photograph of two people standing side-by-side. The image is tightly cropped,from their shoulders to their hips. They both grip the same object,one arm close to the other’s but never touching. On the left is the same image flipped so that they mirror each other. Each print is covered by a sheet of multi-coloured glass. Opaque brown streaks across translucent iridescence, obscuring parts of the images.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/5833a2b262f3fc3eebb0b3f10974dfc9e894614f2ccb46ed556be0a498a02000/cd78017e-323b-429b-951c-885c86dc3156.jpg</image:loc>
			<image:caption>Close up of ‘axe laid root’. Iridescent glass with rich brown streaks shimmers on top of a blurred image of two arms almost touching.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/5fd2bf1812f050c3107e184191314232efe4169fb0271f8ff1cb4d1fd16a1bf6/240612_SI_DCA_25-1.jpg</image:loc>
			<image:caption>Close up of ‘axe laid root’. Handwritten scrawls in white ink are visible on the back of the brown and iridescent glass. The text is reversed and so illegible.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/23b97a5ff925aac830a6bda797d4d303ba8d5c05a029e169128116b5140126fe/2024_GI_CTaylor_TramwayT5_010_web-4.jpg</image:loc>
			<image:caption>installation view, Falls of Clyde.  Mounted to a white gallery wall is a 2 by 2 meter steel sheet with a shallow trough at its bottom. Dark rum cascades down the dark grey steel and flows down a clear pipe which connects to a glass tank on the gallery’s concrete floor. In the tank, a red pump pushes the rum out through a tube that runs along the right side of the metal sheet and skirts its top edge where the rum is released to begin the cycle again.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/7c4b05ae317b6a14df6ef4bc903d2fd9ce6962adce9917e87b716412eccd1e02/LanguidAug2021-29.jpg</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/bbb97631499a61cd6b441a867745c43829cbaf582bcb3979f9c02454b2b1d611/LanguidAug2021-3.jpg</image:loc>
			<image:caption>A carousel slide projector sits on a dark green plinth. The plinth is pushed against a white gallery wall; there is a wooden stool beside it. In the background, further along the wall close to the corner, a blue book is pinned to the gallery wall.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/53665441157f11acf47480faff270449300ba80a9487909b76c8a7f22209220f/000048960007.jpg</image:loc>
			<image:caption>A digital collage rephotographed on slide film. The collage superimposes a small colour photograph centre left onto a larger 19th postcard. The colour photograph shows three old black people standing on a terrace in Barbados with their backs to the camera. They are all facing in the same direction searching for something in the distance. The postcard is a sepia-toned photograph of the Atlantic Ocean viewed from a beach. The ocean shines, waves lap the shore and two ships with large sails travel along the horizon.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/9915d541ef05c057fc72be8d695bd973b8300946ac6f7fd1c5fcc4025deff887/000048960009-copy.jpg</image:loc>
			<image:caption>A photographic document of one page of a book in which much of the text has been redacted using blue rectangles. The remaining fragmented text reads:  Climate/  a cold// country/ a cold place - so it is, colder than// anything you have felt. / ice, everybody shivering though// protected/ Are you prepared for this type of cold climate/ ?/  different. Life/ I have to remind you, is very// complicated./ here you must be prepared// Hve you a home/</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/4aba2a087f22474ddfa998701d4856ca49773d95aa7ad24dbbfa8964fbbde61b/000048950006.jpg</image:loc>
			<image:caption>Black and white photograph. Suited men swear with their fingers spread into a V sign.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/04174c8fc222e3f9c1b682a6f00ae481d67ad87af1279add03108a7dfe681590/LanguidAug2021-30.jpg</image:loc>
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			<image:caption>Close crop of scanned black and white photograph. Three black children stand in the middle of the street, behind them are large piles of rubble. Left child is standing stiffly and can only be seen from the mouth down. Middle child is the smallest and is holding a large satchel. Right child stands casually with a slight lean. Veiny metallic blotches distort parts of the photo, it appears as if the ink is eroding where the children stand.</image:caption>
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			<image:loc>https://freight.cargo.site/t/original/i/10db0562127e6cf8afcf7fc201aaa770be7fe32ba902ced1d18f737bc67c8d7e/william-davidson-research-sketch.png</image:loc>
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			<image:loc>https://freight.cargo.site/t/original/i/c9c2775e5c28f9ca2c5c28658f8e0b799a0cc7c11117f4d40171c9e4dc476303/holus-bolus-research-sketch-1.jpg</image:loc>
		</image:image>
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		<loc>https://camarataylor.com/info</loc> 
		<lastmod>2026-02-15T21:55:23+00:00</lastmod>
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		<loc>https://camarataylor.com</loc> 
		<lastmod>2025-10-29T13:17:48+00:00</lastmod>
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			<image:loc>https://freight.cargo.site/t/original/i/3ca6e970236a8ae5f1d02d680e4b8906fe7bdc3d6f6e1c9e5e605b0b46c73f9f/pining-research-sketch--BBC-news-screenshot-and-details-from-found-notebook.jpg</image:loc>
			<image:caption>Digital scan. A black square with an image pasted in the top left. Across the square and image are scribbles and drawings in white pencil. The image is a screenshot from BBC News showing a lorry submerged in floodwaters. The onscreen captions read: “I’m just so mad…it’s annoying.”</image:caption>
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