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[mouthfeel]
Tramway, Glasgow, 2024
Untitled (Melo’s fists, 2014), Giclee Print, Coloured Glass,
Blackened oak frame, 81x55cm, 2024
Untitled (Falls of Clyde, 1492, 1707- )
Uncoated mild steel, Clear PVC Pipe, Clear Hose, Dark Caribbean Rum,
Dirty Water Pump, Glass Tank, dimensions variable, 2024
Research & Design by Camara Taylor and Sharif Elsabagh, Steel Fabrication by
Ella Appleton, Gemma Moncrieff and the Slaghammers feminist welding collective
Untitled (Paul’s Hands, 1930), Giclee Print, Coloured Glass,
Blackened oak frame, 81x55cm, 2024
Untitled (MINT! or the last coin, 1695, 1701, 1817, 1830, 2022)
2-channel SD video, silent 14mins looped, CRT Monitors, Steel cradles, Steel Wire, 2024
Untitled (reflux)
Giclee prints, Tinted Perspex, White Ink, 200x200cm, 2024
Untitled (falls, fools & fails, 1820, 2024)
Uncoated mild steel, inkjet prints, silver gelatin print, dimensions variable, 2024
Lecturns fabricated by Marie, Amelia, Julianna Laird and
Evangeline Baldwin of the Slaghammers feminist welding collective
[mouthfeel] presented a series of works forged through collaborations with artists 皚桐 (Ai Túng), Sharif Elsabagh, and feminist welding collective Slaghammers.
Commissioned by Glasgow International with production and presentation support from Tramway.
There is an audio described introduction to the exhibition and the exhibition artworks that can be accessed here.
Audio Description by Collective Text & SoundScribe, 2024
AD Scripting and Recording: Elaine Lilian Joseph
AD Consultant: Kirin Saeed
Commissioned by Glasgow International with production and presentation support from Tramway.
There is an audio described introduction to the exhibition and the exhibition artworks that can be accessed here.
Audio Description by Collective Text & SoundScribe, 2024
AD Scripting and Recording: Elaine Lilian Joseph
AD Consultant: Kirin Saeed