screaming by citation, lol ur so drama, 2019
2 channel video installation; a precarious hanging; black cling; post-it; text; Auld Lang Syne by The Black on White Affair; A Scottish Landscape by Robert S.Duncanson 1871; African and Caribbeans in Scotland: A socio-geographical study by June Evans 1997; William Davidson and rumours of quartering and quicklime.
Shown as part of the exhibition, something vague and irrational, Celine Gallery, 2019 w/ Sulaïman Majali.
Pictured with:
"that my dear old mother would never know me", 2019, Sulaïman Majali
Digital print of Robert Scott Lauder’s painting of David Roberts 1840 (in Arab Dress) without side whiskers, paste;
faux gilded frame, mirror, paintings of the Prophet’s Mosque and the Grand Mosque of Makkah
"that my dear old mother would never know me", 2019, Sulaïman Majali
Digital print of Robert Scott Lauder’s painting of David Roberts 1840 (in Arab Dress) without side whiskers, paste;
faux gilded frame, mirror, paintings of the Prophet’s Mosque and the Grand Mosque of Makkah
retreat, is an ongoing collaborative endeavour between Sulaïman Majali and Camara Taylor that thinks around strategic isolation, separatist states, capacities or lack thereof. Within retreat, both are negotiating the fallout and reverberations through time of ongoing catastrophes. The project floats amidst the outlines of absences; which become trace, gesture and evidence of that which has been expelled, or refuses to be held.
